Originally posted Dec. 31, 2008
When I finally completed my novel, I took the next appropriate step. I sent copies of the manuscript to nine or ten willing readers and then paid an editor to review it for style, grammar and content.
The readers were great.
The editor was a mistake.
He did an excellent job copy editing and he gave me some useful advice, but I hired him because he was a friend. That is where I went wrong. I should have done my research first.
Now, I love criticism—brutally honest, constructive criticism. Those writers who can’t take and appreciate criticism shouldn’t attempt to make a career of writing for public consumption.
And the criticism I received from the readers was excellent. It resulted in the elimination of two characters, a few changes in the minor plots and many, many smoother transitions.
The editor’s criticism led to a faster pace in the earlier chapters and the correction of several errors that had slipped past me. But his content advice, his take on the novel as a whole, was problematic.
If I had not had 11 years of journalism experience and a master’s degree worth of workshop experience, I might have done one of two things: I might have cried and given up, or I might have taken all his recommendations to heart and ended up with a novel that was a Grisham rip-off.
As it turns out, he is a huge fan of Grisham and doesn’t much like literary fiction. My novel does move rather fast, especially through the courtroom scenes. But I am not Grisham and I don’t want to be (Well, I wouldn’t mind his paycheck.).
My style is what it is. The book is an historical novel that is primarily literary fiction, but with a bit of mystery and suspense.
In my years of workshopping and in my experience as a freelance editor, I have had to work with many genres that I find somewhat unappealing. I’ve had to get past my prejudices. I have had to edit or critique the work within its genre.
He couldn’t and, in fairness to him, I never asked.
So here is my point.
I was careful when I selected my readers. I should have been careful when I selected my editor. I should have hired someone who came recommended by other fiction writers and who reviewed the work primarily for copy errors.
I should have simply let the readers do the rest.
The reality is that the readers are the market. They are the people we should be writing for, not the editors, not the fellow writers. Teaching them to critique is easy. Simply give them a few questions to ask themselves when they are done and request that they mark places in the manuscript where they have either stumbled or flown through.
So hire a copy editor. But instead of hiring a content editor or a “book doctor,” contract with a book club. Offer to pay for lunch one day if they will agree to read your manuscript and fill out a questionnaire after.
That’s what I should have done.