Authors: Don’t quit your day jobs

A friend once confided in me that he was nearly finished with his first novel, but that he was keeping it secret from his co-workers. He planned to quit when the novel sold and earn a living as an author.

He was young, optimistic and enthusiastic.

I didn’t want to crush his dreams, so I said nothing.

We all believe we will defy the odds, and maybe we will. Maybe my friend’s novel will earn a huge advance, the movie rights will sell immediately and the never-ending sales of licensed t-shirts, trinkets and video games will keep his coffers full. Then, maybe the second novel will take off, too.

But a new survey from the Authors Guild, the largest of its kind, suggests otherwise. The Authors Guild, in cooperation with 14 other author organizations, collected surveys from 5,067 published authors who are U.S. residents about their 2017 earnings, and the picture it paints is rather grim.

The median incomes of all published authors (This includes part-time, full-time, traditionally published, self-published, and hybrid-published authors) was $6,080, and that’s not just royalties. That figure includes money earned from freelance writing, speaking engagements, teaching — anything writing-related.

From books alone, authors earned a median income of $3,100.

But those figures include everyone.

Here is a more specific breakdown:

  • Median income for full-time authors for all writing-related activities: $20,300.
  • Median book-related income for self-published authors: $1,951. (That climbs to  $10,050 for self-published romance and romantic suspense writers.)
  • Median book-related income for traditional authors: $12,400.

These figures do not include the 25 percent of all published authors and 18 percent of full-time authors who earned no royalties on their books in 2017.  Yes, that happens. Books often take a long time to write. In a year without new publication, it is possible to earn nothing at all.

It’s not all bad news though. The highest paid authors in 2017 still did well:

  • Traditionally published: $305,000.
  • Self-Published: $154,000 

But that is for just one year. It is possible to get a large advance from a publisher for a book, and then never make anything more. A writer’s income is rarely consistent, which is another reason so many writers need day jobs.

Does that mean my friend should give up his dream? Absolutely not. Most of us write because we have a passion for writing. It’s in our blood. If we can make money doing what we love, even if we still need to hold onto our day jobs, why shouldn’t we?

We can also work together to improve the situation for each other. We can share ideas on marketing and promoting books. We can join organizations like the Authors Guild, which advocates for writers by keeping them informed and providing access to free and discounted services.  We can promote the love of reading and writing in our communities.

Maybe I should have warned my friend about the financial status of the industry, awakened him to the reality, but I was selfish. I wanted him to enjoy the ignorance a little longer. I learned these things piecemeal, beginning in my college days, and each time a bit of industry news got me down, something else pulled me back up — a published short story, a friend’s success story, a contract offer from a publisher 17 years after starting my first book. (Yes!)

I want that for him.

A career as an author does not make financial sense, but a trip to a local book store is evidence that writing is about more than the money. All those authors. All those books. They happened anyway. He will find out soon enough, or maybe he already has, but I still expect to see his name on those shelves someday alongside my own.

 

 

 

Writing for … glamour?

I emailed an author a while back for information about her experiences with a publisher who was interested in one of my novels. She insisted I call her immediately and sent her phone number.
The reason for her urgency?
Apparently, the publishing world had deceived her.
Authorship wasn’t glamorous at all, she said, and she suggested I get out of the novel-writing business before I suffer similar disappointment. Her advance was small, her sales were slow and she wasn’t becoming famous.
What?!
It took me a while to respond.
First, I thought she was joking.
Then, I thought she must be insane.
Finally, I realized she was quite serious.
So, I laughed.
It never once occurred to me to pursue fiction for celebrity status. Nor did I ever consider the profession “glamorous.” I expect to spend every penny I make on my first published novel (and then some) promoting it, so I certainly am not anticipating wealth.
Where did this illusion come from, I wondered?
How could someone who managed to write a novel, find an agent and land a publishing contract remain so ignorant to the business for so long?
So I started paying attention and this is what I found:
Novel writing has its celebrities: JK Rowling, Stephenie Meyer and E.L. James are rolling in cash. What so many people fail to recognize, however, is that most of their money comes from movie options, movie royalties, etc.
They were popular writers before their novels became movies and probably made some admirable amounts of cash, but glamour struck when their novels hit the theaters and their incomes reached seven to ten digits.
In fact, many of their fans are not even avid readers.
Take the woman who excitedly told me someone had entrusted her with the ending of a Harry Potter film he was working on. She was thrilled to have such privileged information. Giddy, even.
Little did she know everyone who’d read the series was already privy to the end.
Unfortunately, the attainment of millionaire or billionaire status is not the norm among authors, though many sell movie options (the exclusive rights to a film production company to someday make a movie of the novel if ever they feel like it) for perhaps $100,000 or so per novel.
Success like JK Rowling’s is probably one in a million, if not more.
But those are the writers we hear about.
Those are the stories we know.
Add to that the magic of social media, and forces behind the misconceptions quickly become clearer.
Search for “author” on Twitter, Facebook, Google+, Instagram, Pinterest, any of those sites and face-upon-smiling-face will appear. Promote, promote, promote. That’s the buzz word in the writing world these days.
A self-published author with sales of ten can appear to be a celebrity simply because he or she has created that illusion via social networking, web pages and blog tours. What looks glamorous is often the result of a ton of effort and, sometimes, loads of money, on the authors’ parts.
All this was starting to make sense to me.
I was beginning to understand the star-stuck author.
But then came the kicker: House Hunters International.
I rarely watch television during the day, but I was sick the other day — can’t-get-off-the-sofa sick — and I needed something mindless to occupy me. So I chose House Hunters International, intrigued by the fact that its focus on a crime fiction writer.
According to the narrator, the husband gave up everything to follow his wife to Australia, where she had an opportunity to promote her novels. That was the first thing struck me as odd. Why move to Australia to promote her novels?
Couldn’t they just visit?
Next, I noted they were leaving behind a 7,500-square-foot home in Texas.
Then, they set a budget of up to $4,000 for rent.
On a writer’s salary?
Surely, I must have heard of this woman.
I researched her, figuring she was someone famous who had slipped past my radar.
Nope.
She published her novels through CreateSpace, a self-publishing company and a choice many writers make who want full control of their work. Her novels are far from best-sellers and I’d never heard of her.
So how could they afford this?
After further research, I found an article from an Australian newspaper. According to the interview, she and her husband were leaving Australian because his temporary job appointment had ended. She had sold 1,000 of her six novels overseas, for a total of what?
Maybe $3,000 in two or three years?
Surprise.
The producers had lied, further enforcing the illusion that writers live glamorous lives and make tons of money.
Here’s the truth.
I know many glamorous writers. But they are not glamorous because they sold a bunch of novels, made a ton of money and are recognized in supermarkets worldwide. They are glamorous because that’s who they are.
They are kind, charming, witty women and men who write with passion, not with dollar signs in their eyes. They are personable, helpful and accessible. They love their readers. They love their art (though who wouldn’t mind seven-digit checks for doing what they love!).
The woman I called didn’t have that.
And I doubt she ever will.